This is looking good and i think the masking conveys this organic growth that you are looking for. It still needs to be tweaked in terms of shape of mask and movement a bit. text moving before music starts which feels awkward - perhaps delay text and let the music play a couple of notes first.
The movement of Breakfast at Tiffanys feels off. Once "Breakfast" and "at Tiffanys" come together - i want them to "lock" into their title position rather than still float away from each other (their vertical movement). I think the title would work better too with less space between the two lines. Make a composition of just that title and choose the most effective grouping of the words - as if you were designing a logo. Then translate that final positioning to the sequence. When the whole title floats down - you can build emphasis by having it pause in one place for a moment. Maybe space out the amount of type elements you have in the composition at one time. I would do two maximum - so if the title and Audrey Hepburn are up there - I would wait to bring George Peppards name up. Okay - that's my two cents for now. Good luck Krista
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This is looking good and i think the masking conveys this organic growth that you are looking for. It still needs to be tweaked in terms of shape of mask and movement a bit.
text moving before music starts which feels awkward - perhaps delay text and let the music play a couple of notes first.
The movement of Breakfast at Tiffanys feels off. Once "Breakfast" and "at Tiffanys" come together - i want them to "lock" into their title position rather than still float away from each other (their vertical movement). I think the title would work better too with less space between the two lines. Make a composition of just that title and choose the most effective grouping of the words - as if you were designing a logo. Then translate that final positioning to the sequence. When the whole title floats down - you can build emphasis by having it pause in one place for a moment. Maybe space out the amount of type elements you have in the composition at one time. I would do two maximum - so if the title and Audrey Hepburn are up there - I would wait to bring George Peppards name up.
Okay - that's my two cents for now.
Good luck
Krista
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